Do Students Have Individual Learning Thresholds in Drumming?

Harry Bone2025-12-09

Every student progresses at different rates, and some seem to hit a ceiling. Do genetics limit how far you can improve at drumming? The research says yes—but not in the way you think. Learn why "thresholds" are usually temporary plateaus, not permanent limits.

After years of teaching, I've noticed something: every student progresses at a different rate, and some appear to hit a ceiling where improvement slows dramatically or stops.

This raises an uncomfortable question: do individual students have genetic thresholds that limit how far they can progress?

The short answer is yes—but not in the way most people think.

What the Research Actually Says

Let's look at what science tells us about learning limits:

Learning Rate vs Ultimate Ceiling

Ericsson's deliberate practice research (1993) studied violinists at Berlin's Academy of Music and found something interesting: whilst practice hours predicted expertise level, there was significant individual variation in the rate of improvement.

Some students needed 8,000 hours to reach elite level. Others needed 12,000+ hours to get to the same place.

The key finding: Everyone could reach high levels, but the speed varied considerably.

Genetic studies on motor learning (Missitzi et al., 2011) found that 30-50% of the variance in motor skill acquisition can be explained by genetics.

But here's the crucial bit: genetics affects the rate of learning, not the ceiling.

Fast learners often plateau earlier. Slow learners catch up over extended practice periods.

The research concluded: "Genetic advantage diminishes with extended practice."

Your Brain Keeps Adapting

Brain imaging studies (Draganski et al., 2004) showed that brain structure changes with practice regardless of age, with no evidence of hard genetic ceilings for complex motor skills like drumming.

If the brain keeps adapting, skill keeps improving.

What About "Natural Talent"?

Expert performance studies (Hambrick & Meinz, 2011) reviewed 14 studies across music, chess, and sports. They found that practice accounts for roughly 30% of variance in performance.

But here's what matters: the other 70% wasn't genetics—it was teaching quality, motivation, and deliberate practice methods.

Translation: How you practise matters more than your starting point.

What This Actually Means for Drum Students

When I observe variance in student progress, I'm not seeing "genetic thresholds." I'm seeing:

1. Rate of Learning (Genetics + Prior Experience)

  • Some brains wire motor patterns faster
  • Some students have better natural rhythm perception
  • Some have physical advantages (limb length, muscle fibre composition)

But: These affect speed, not destination.

2. Motivation and Engagement (Psychological)

  • Intrinsically motivated students (playing for themselves) push through plateaus
  • Extrinsically motivated students (playing for parents/others) quit at first resistance

This is huge. Most "thresholds" are actually motivation limits, not genetic ones.

3. Quality of Practice (Methodology)

  • Students using deliberate practice (focused, specific goals) show faster progress
  • Students mindlessly repeating patterns plateau quickly

Same practice time, completely different results based on how you practise.

4. Life Constraints (Practical Reality)

  • Student practising 30-minutes daily makes steady progress
  • Student practising 5-minutes weekly hits an apparent "threshold"

That's not genetics. That's maths.

The Plateau Illusion: Why "Thresholds" Are Usually Just Quit Points

What looks like a "threshold" is usually the point where motivation meets difficulty.

Here's what actually happens:

Student A:

  • Fast initial progress → hits temporary plateau → quits
  • Result: Appears to have hit a genetic threshold

Student B:

  • Slow initial progress → grinds through plateau → breaks through
  • Result: No apparent threshold

Student C:

  • Moderate progress → life gets busy → stops improving
  • Result: Practical ceiling (not biological)

The "threshold" is rarely genetic. It's where students decide whether to push through or stop.

Temporary Plateaus vs Ultimate Limits

Everyone hits plateaus. They're a normal part of skill development.

The learning curve isn't linear—it's more like a staircase with flat sections between each step up.

Temporary plateaus happen because:

  • Your brain is consolidating new skills
  • You're building foundational patterns for the next leap
  • You need to refine technique before progressing

These aren't limits. They're transition phases.

I once read about someone who spent 15 years learning Mandarin Chinese. At Year 7, they still didn't feel fluent. Progress felt slow, conversations were clunky, and they wondered if they'd ever really "get it."

But they kept going.

By Year 15, they were speaking at native-level fluency. Chinese speakers were surprised to learn it wasn't their first language.

They hit multiple plateaus along the way that felt like permanent thresholds. But they weren't. They were just the flat sections of the staircase—necessary pauses before the next leap.

The plateau is where most people quit—not because they've hit their limit, but because progress feels invisible.

What This Means for My Teaching Approach

When students appear to plateau, I don't assume they've hit a genetic limit. Instead, I assess:

  1. Are they practising deliberately? (Or mindlessly repeating)
  2. Are they intrinsically motivated? (Or just doing it for other reasons)
  3. Have they hit a temporary plateau? (Normal part of learning)
  4. Do they have life constraints? (School stress, limited time)
  5. Does my teaching method work for them? (Might need different approach)

My teaching philosophy centres on mastery = understanding + ability to self-correct.

I'm not teaching to genetic thresholds—I'm teaching self-sufficiency so students can push through their own plateaus.

If a student appears "stuck," we troubleshoot. We adjust. We find what's blocking progress (usually motivation, method, or life circumstances—rarely genetics).

The Uncomfortable Truth About Thresholds

Yes, there are genetic differences in:

  • Motor learning speed
  • Rhythm perception
  • Physical attributes (limb length, muscle fibre type)
  • Working memory capacity (affects learning complex patterns)

But these affect rate of progress, not ultimate achievable level (within reasonable bounds).

The real threshold is motivation.

Most students quit long before hitting biological limits. They stop at the first plateau and may assume "I'm just not naturally good at this."

But natural speed of learning doesn't predict final level of skill. It just predicts how long the journey takes.

For Parents: Why "Slow Progress" Doesn't Mean "Limited Potential"

If your child is progressing slower than their friend who started at the same time, that's not evidence of a ceiling—it's evidence of different learning rates.

Here's what matters:

Not: "Are they the fastest learner in the room?" But: "Are they making consistent progress over time?"


Not: "Can they play as well as their friend after 6 months?" But: "Are they more capable than they were 3 months ago?"


Not: "Do they have natural talent?" But: "Are they willing to push through plateaus?"

The student who learns slowly but keeps going will often surpass the "naturally talented" student who quits at the first plateau.

Your job as a parent: Help your child develop persistence and intrinsic motivation. Those matter far more than genetic advantages.

What This Means for Your Drumming

If you feel stuck or like you've hit a ceiling:

  1. You probably haven't reached your genetic limit—you've hit a temporary plateau
  2. Progress isn't linear—plateaus are normal and necessary for consolidation
  3. Method matters—deliberate, focused practice breaks through plateaus
  4. Patience works—skill development takes time + system + persistence

The question isn't "Have I reached my limit?"

The question is "Am I willing to push through this plateau?"

My Personal Experience

I'm currently working on bilateral double kick at 140 BPM+. Do I feel like I've reached my threshold? Not even close. I know I have room to grow towards 150+ BPM.

But here's the thing: I also feel "very behind" compared to drummers like Matt Garstka or Vinnie Colaiuta who can effortlessly execute complex polyrhythms at tempo.

That feeling of being "behind" is actually an advantage.

It means I know there's more to learn, more to explore, more ceiling above me. I haven't mistaken a temporary plateau for a permanent limit.

Every time I hit a plateau, I remember: this is normal. This is where consolidation happens. This is where most people quit—which is exactly why I won't.

The Bottom Line

Individual thresholds exist, but:

  1. They're WAY higher than most people think
  2. Most people never reach them (they quit at temporary plateaus)
  3. Rate of learning varies (genetics), but the ceiling is high for everyone
  4. Method and motivation matter more than starting point

If you're a student feeling stuck, remember: the plateau isn't the end. It's just the flat bit before the next leap up.

Progress feels slow until it doesn't. Then suddenly you break through, and everything you built during the plateau pays off.

Keep showing up. Keep practising deliberately. Trust the process.

The "threshold" you think you've hit? It's probably just the point where growth becomes harder to see—not where growth stops.


Feeling stuck at a plateau and want help pushing through? Let's figure out what's blocking your progress and build a plan to break through. Contact me for drum lessons in Bristol.


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